Chennai has the distinction of having the first elevated Rapid transit system in the country, the MRTS (Mass Rapid Transit System). Born out of a transport study by the Metropolitan Transport Project in the 1980s, the MRTS was proposed as a 20 km elevated and on-grade railway corridor with 17 stations, to ease the congestion along a throbbing transit route from the Central Business District to the fast-growing IT corridor.
Envisioned to be a vital transit system with the stations having additional commercial and institutional functions, the vast majority of the“air-space” in these hubs now lies in dire disuse, gradually and steadily moving to misuse. Caught in a vicious cycle of disuse and lack of revenue for maintenance which causes even further disuse, the system is caught in a complex concoction of decay – the Buckhingam canal and dead spaces between the stations further adding to the poison.
However, there is a specific aesthetic that exists amongst architecture in the absence of routine human interaction- the aesthetic of decay.This aesthetic develops over time, as buildings cease to function in the way they were originally designed to do so; It develops naturally, as Nature reclaims what was originally it’s own and Man leaves behind his trails. A photographic exploration through the dying spaces helps identify any existent hope, potential and dreams of a better future.