Hailing from a small town in Kerala, being a passionate foodie , my first fond memories of a city are the huge malls, pizzas and sizzlers which were once (until about 10 years ago) exclusive to only the metropolitan Indian cities. In fact I would always look forward to visiting my cousins who lived in the city, for my yearly pizza. It was not until I moved to Chennai for my undergraduate studies, five years ago that I could truly explore a city in terms of the multiple culinary dimensions that it has to offer.
Food is as much a part of culture as architecture is. But what is fascinating about food and cities today is that the cities today have become truly global offering us a taste of multiple cultures through a wide array of culinary experiences. For example, while Chennai stays true to its own South Indian Filter coffee and Idly, Vada Sambar, the spicy streets of Sow carpet (in North Chennai) are sure to impress one with the true north Indian flavours.
This quest for what a city could offer in terms of food led me to explore the same through my undergraduate architecture design thesis. My exploration of gastronomy began with a study of the culinary world today. Visiting culinary schools, getting a sneak peek of the workings of kitchens of five star restaurants, enjoying cooking sessions while making new friends at food studios, being a part of food walks where in one could explore the city through its cuisines, learning about how food start ups work, sharing my food experiences through social media food groups, I realized how cities today offer much more than just multiple dining experiences. Food today is no longer a mere means for sustenance, it is an art, a hobby, a profession, above all a kaleidoscope of experiences that people crave for!
Creating a Food Public Space
Food and Architecture being creative fields due to the exuberant quality of art that exists in them, my exploration furthered to see if these synonymous projections could be extended to explore a newer perspective; one that could inscribe value to our cities and engage a wide range of its citizens. The architectural concern of my project was to bring together people through food as a medium by creating a new food public space in the heart of the city that caters to the multiple dimensions that the culinary sector today has branched into.
Bangalore-a truly vibrant city with its fascinating culinary world, be it the ‘oota walks’, the late night partying in gastro-pubs, food melas or the numerous food start ups that can get you anything from a salad or a cookie to a celebrity chef in a jiffy – set the ambience for the design. The site on Church Street, one of the oldest food hubs of Bangalore within the CBD, abounding in eateries and pubs, well connected and surrounded by commercial spines, with a steady pedestrian flow provided ample scope for the project to expand from a ‘culinary arts centre’ into an ‘urban eat street’.
Designing for Food
A study of the existing streetscape and the urban context was important to understand how the built form responded to the same. Food, being a very sensuous phenomenon, works best when it is not hidden away, but exposed, letting the aromas linger. What was interesting about Church Street was that despite the large number of eateries present, there was hardly any spill over onto the streets. The reasons were mainly two:
- The street is not pedestrian friendly. It is punctured by transformers and piles of garbage, with uneven foot paths and haphazard street parking, cutting off any contact between pedestrians and the adjacent buildings.
- The buildings themselves are largely introverted (barring a few), not even attempting any engagement with the chaotic street.
As an architectural intervention for an urban transformation the design proposal focuses not just on the built form but also on creating a vibrant eat street.
Programming for Food
The culinary arts centre, whose built form was conceived as a response to the city, the streets and the people (and function) at three different scales, was envisioned to be a reflection of the vibrant urban culture, connecting multiple user groups through food and letting the streets flow into the building as much as possible. As the idea was to connect multiple user groups through food, the building is a collaborative food space that has chef studios, co working kitchens, public cooking studios, food retail, culinary schools, restaurants and amenities like library, auditorium etc.
Connecting with the Urban Street
The main design challenge was to understand how a vertical building as tall as 24 metres high in a tight urban context with FSI, setbacks and other building constraints could achieve an extroverted character, unlike the other tall buildings on Church Street that strictly did not engage with the pedestrians.
Hence the building was conceived as a heterogeneous vertical street with a play of inside and outside, multiple walkways within the building enabling many circulation paths for an interesting spatial experience. Transparency as a tool was used to connect the multiple levels and activities and project gastronomy as much as possible. Solids and voids, textures and colours also add to the extroverted building character, making it dynamic. The materiality of the building also draws from street characteristics such as plain vertical planes for graffiti, steel frames for banners etc .The building comes alive at night as the open spaces double up as dance and disco floors. The colourful banners of street festivals, events and performances get displayed on the steel grids of the building facade and the glass exterior facade of the rotated auditorium has LCD display that screens food videos, music, etc, becoming a focal point for the street node.
The built-form is ultimately an expression of a vibrant urban street. The street design proposing a pedestrian-friendly street, takes the vehicular traffic and parking underground. The idea is to enhance spill-over onto the street and add elements of colour, play and food throughout. The 750m stretch will have three pedestrian subways and one vehicular entry and exit point. The street is envisaged to become an urban canvas and a renewed food public space in the heart of the city of Bangalore.
Experiencing Food through Architecture
Architecture is played with to add a physical dimension to the food experience with multiple hues that accentuate the spirit of the place. The building elements were composed to form voids, frame views, fuse activities and provide fascinating new user experiences. Just as food has multiple flavours, the building’s spatial heterogeneity was a deliberate attempt to express the cultural diversity of the city. It also hints that only if architecture implants variety in the cityscape will it be a fertile seed for urban transformation.
The building thus becomes an identity for FOOD CULTURE and in parallel transforms the image of the context. Just as a city offers us a plethora of culinary experiences, the design aims to capture the essence of it on one platter to offer to its people.
[This article is a collaboration between Hashtag Urbanism and Priyanka Sreekanth, based on her Undergraduate Design Thesis, “Eatsup- A Culinary Arts Center on an Urban Eat Street”, compiled in the document below.]
Noteworthy mention – Presented at NIASA (National Institute of Advanced Studies in Architecture) Thesis Awards South Zone jury.